HOW TO START WRITING

finger pointingI meet people all the time who say they want to write. Many of them don’t know where to start or even how to start. A lot of people are worried about “doing it wrong” or feel they can’t begin unless they get “permission.” They don’t know who they want permission from but they know that there must be someone out there who can give it to them.

fear cartoonAll this comes from fear. Fear of failing, fear of being judged, criticized or rejected. These are very real and universal fears. Every writer has them to one extent or another. The problem is that these fears can stop many people from even writing a single word. The fears come from your inner critic. This critic is far worse than any friends, family, or even professional critic can be. This inner critic tells you that you’re no good, that you’re not a “real” writer, that there are more talented writers than you; that your chances of getting anywhere are a zillion to one, so why bother? And other similar negative messages.

What can you do about this critic? The first thing you need to know is that you’re not alone. Every writer has an inner critic. Some writers are better than others at shutting this critic up. How do you do that? It takes practice and a different way to approach the problem.

Here are a few things that might help you:

  1. Don’t talk about your work with anyone before you write it. I mean anyone. No exceptions. I’ve had people ask me what I’m working on and I say, “I can’t tell you.” They sometimes say, “Why, are you afraid I’m going to steal your idea?” “No,” I say, “I’m afraid you’ll tell me how much you like it and then I won’t write it.” Talking about something you’re going to write is a great way to never actually write it.
  2. After it’s written only show it to a friendly and kind professional editor or writer. No one else’s opinion matters. Do doctors show their work to plumbers for help and approval?

man at computer writingAs far as actually getting started: find a safe place to write where you won’t be disturbed. That can be a private room, your favorite coffee shop, a library, a park bench anyplace where you feel comfortable. Once you find this place give yourself time to write. Do it at your own pace. And remember you don’t have to show your work to anyone. You are allowed to write for yourself alone if that’s what you want. Don’t be the judge and jury of your work. Your early efforts will be just that, early efforts. Be okay with that. Writing is like learning to play an instrument. You will not be ready to give concerts in only a few weeks. Be patient with yourself.

If you forget about money for a few minutes, think about the reasons you might motivate you to write. Here are a few:

  1. It’s fun.
  2. You have a story you really want to tell.
  3. It gives you a sense of fulfillment.
  4. You like researching a story.woman writing in park
  5. It’s therapeutic and healing.
  6. It makes you forget your problems.
  7. It’s a way to escape.
  8. It’s entertaining to you.
  9. It teaches you about things.
  10. It relaxes you.
  11. It’s meditative.
  12. You don’t know why.

You may have other reasons to add to the list, but you’ll notice that all these reasons to write are for you. Not one of the things on this list has to do with anyone but you. What’s not on the list:

To win love from someone else

To be liked and admired

To get compliments and praise

To get fans

Writing is like cooking. Imagine you’re alone and you want to eat dinner. You select your favorite foods and the ingredients that you like. You put in all your favorite spices. You cook everything and then it’s done and you are about to eat it. Unexpected guests arrive. You have some extra food so you offer it to them. They accept. Some like what you cooked and others don’t. But it doesn’t matter. You cooked it for yourself. You like it. If others do or don’t that’s their choice but it doesn’t change the fact that you cooked what you like. And you still like it.

Write for yourself first. If others like it that’s nice, but please yourself first. Not everyone will like what you write, but make sure that the most important person does. You.

woman writing in her diaryHow do you write? You start writing. Do it a lot so it becomes a habit. When that happens, each word will cease to have the monumental importance that it does now. This will take some of the pressure and stress out of the process. You will begin to understand that nothing you write is carved in stone. You can change anything at any time. Your writing is like your own personal friend and support group. It’s a safe place without judgement. Be gentle with yourself. Any place you start is the right place. There is no right or wrong way to do it.

If you don’t like what you write you can always tear it up or delete it. Or you can rewrite it. Most writing requires lots of rewriting and revision. This is how everyone writes. We don’t necessarily get it right the first time. Keep at it. You’re in charge. Go ahead, start. Give yourself permission.

 

JOHN D. MACDONALD – AN APPRECIATION

girl in the plain brown wrapper john d macdonaldWhat writer does Stephen King, Dean Koontz, Lee Child and Carl Hiassen name as a major influence? If you answered Louisa May Alcott you would be wrong.  In fact, John D. MacDonald has influenced generations of writers. Even his contemporaries such as Kurt Vonnegut admired his work.

MacDonald wrote at least 80 books, many of which were best sellers, but his greatest creation was the Travis McGee series. Each novel has a color in its title; The Girl In the Plain Brown Wrapper, A Tan and Sandy Silence, A Purple Place For Dying, The Quick Red Fox. MacDonald said that it was done as a mnemonic device to make sure readers did not accidentally buy the same book twice. There are 21 books in the Travis McGee series. the first one is The Deep Blue Goodbye.tan and sandy silence

If you have not read these novels I urge you to seek them out. It may be that MacDonald is not as well known to current readers because he refused to let these books (with a couple of exceptions) be made into movies or TV shows. Supposedly, there are plans afoot to change this.

macd-3MacDonald’s unforgettable character is Travis McGee, who lives on a houseboat, The Busted Flush, which he won in a poker game. Together with his friend, an economist named Myer (no last name, or is it no first name?) he retrieves stolen property, helps damsels in distress, and rights wrongs. Though he lives in Florida, the novels often take place in other locals. To be clear, these are not mysteries. There are no clues or suspects. These are suspense stories, filled with danger, beautiful women and villains who often turn out to be greedy businessmen. (Is that redundant?)

What sets these novels apart from other suspense series and have kept them in print for decades after John D.’s death, is the exceptional writing. MacDonald was a master at observing and commenting on modern life. He was writing about pollution and developers destroying Florida’s natural resources in the early 60’s, long before anyone had ever even heard the word ecology. MacDonald was also brilliant at writing characters. His people seem so real you feel as if you know them. His hero and the women in his life have real emotional depth, as do many of the other characters he encounters. And if that weren’t enough, MacDonald also knew how to tell a really exciting story, too.macd-4

In Travis McGee, you have a hero with a strong social conscience, who’s highly empathic, has an understanding of philosophy, morality, and if the situation called for it could protect himself in a fight. He’s a staunch defender of the downtrodden, the weak, the poor and the disenfranchised.  He is unafraid to take on the powerful and corrupt forces that seek to destroy him or his friends. There’s a reason that people don’t just like McGee (and MacDonald); they love him.

macd-5If you’re new to the Travis McGee novels, give them a try. But don’t expect a noir, brooding hero ala, Raymond Chandler’s Philip Marlowe. Travis McGee is as bright as a sun-drenched Florida afternoon. But having said that, you will not be reading about a happy go lucky adventurer either. These stories are infused with an underlying sadness and existentialism about the human condition. Though it’s usually under the surface, Travis has seen and understands the fleetingness of life and the inevitability of death.  He knows the evil that people are capable of, but also the healing power of love as well as the importance of friendship and loyalty.  If you haven’t read these books in a while, consider picking one up again. It’s like spending a few hours with an old friend.

 

HELENE PARSONS WRITER AND BLOGGER

Helene Parsons writer blogger
Have you ever wondered how cartoonists come up with new ideas all the time? Some of them may have had a little help. Helene Parsons is one of those unseen and uncredited helpers. Helene has ghost written for many single panel syndicated and magazine cartoonists. She’s written for such panels as Dennis the Menace, The Lockhorns, and Bliss. She’s also written cartoons that have appeared in such publications as The New Yorker, Harvard Business Review, The Wall Street Journal, Barron’s, and The Reader’s Digest.

Helene has been writing cartoons for 18 years and has just started a blog. This is great news for anyone who’s interested in how to write and sell cartoons. Whether you’re just starting out or are  a seasoned veteran, Helene says she’ll have helpful insights into the world of cartoons from her unique perspective. But you don’t have to be a cartoonist or writer to appreciate her blog. In addition to her practical advice, Helene will also be writing about her creative process as well as telling behind the scenes stories of working in this very odd and wonderful business. So check out her brand new weekly blog now, before it goes viral!  http://cartoongags.blogspot.com/

STEPHEN WINER WRITER

David Letterman and Steve Winer May 2015

Stephen with his former boss, May 2015

You may not know Stephen Winer’s name but you definitely know some of the people (and shows) he’s written for. Winer was a writer for David Letterman, Dick Van Dyke, The New Mickey Mouse Club, and stand-up comedian, Robert Klein, among others.

Winer (along with Karl Tiedemann) co-wrote and directed the cult classic short film, King of The Zs, which is a hilarious look at a fictional movie studio of the 1930s and 1940s that made the worst B pictures in history. This film has been a favorite at film festivals for years (particularly the Telluride festival). If you haven’t seen this comedy gem I urge you to seek it out. It can be seen on YouTube. King of The Zs, is the film that led to Winer getting the job writing for Letterman.

charlie chaplinLately, Winer has been involved with a variety of projects, but the one that caught my attention was his serious writing for the Criterion Collection website. (Criterion releases classic films on DVD.) It turns out that Winer’s serious writing is as good as his comedy work. Not only does Winer have an encyclopedic (or Wikipedic) knowledge of film, but he also has plenty of behind the scenes stories and great insights. I was particularly taken with his article on Charlie Chaplin’s metamorphosis from a slapstick clown to a fully realized comedic and dramatic actor. In another piece, Winer makes some excellent observations on another silent comedian, the legendary Harold Lloyd. At one time Lloyd was as popular and successful as Chaplin, yet today is largely forgotten. Never the less, Lloyd’s great silent films, such as Speedy and The Freshman, still have the power to thrill, entertain and yes, make audiences laugh almost a hundred years after their completion. I’ve watched these wonderful films with contemporary audiences, many of whom had never seen any silent films, and heard the very real laughter that they engendered. Winer’s analysis of Llyod’s work is nothing short of scholarly, yet written in a very a breezy, accessible style. Also check out the article he wrote on the classic Frank Capra film that created and defined the screwball comedy, It Happened One Night; and his love letter to another comedy classic of a later era, It’s A Mad, Mad, Mad World. (Did I leave out a “Mad?” Or put in one too many?)

If you go to the Criterion Collection website be sure to read the piece Winer wrote about his late father, playwright and television writer, Elihu Winer. This is a wonderful and touching essay about Elihu’s friendship, (mostly through letters) with fellow writer, John D.Voelker. Voelker was an author whose most well-known novel became the basis for the film, Anatomy of a Murder. Subsequent to the film, Elihu collaborated with Voekler to write the script for the play. Winer’s essay is about the friendship of these two excellent writers. In one of the letters, Elihu mentions a TV play he wrote that featured an amiable actor named Ronald Reagan. Elihu liked this actor and found him easy to work with, though Elihu had some difficulty adjusting, some years later, when the man got into a different line of work. A smart publisher ought to collect all these articles by Winer (and others he has no doubt yet to post) and publish them in a book. As the kids today put it, “I’m just saying.”

JOHN LUSTIG WRITER

john lustig you can readJohn Lustig writes a unique single panel cartoon called, Last Kiss. The drawings for Last Kiss are not done by him, but instead, are taken from old romance comic books that were originally published by Charlton comics (a long defunct company) from 1957-1965. John takes panels from these comics, removes the lettering, then adds his own dialogue. The results are funny, ironic, often campy lines spoken by these serious looking characters. Sometimes he uses double entendres, puns, or just plain silly declarations. Many of them are about sex, but they’re not explicit, just funny. The art he uses in Last Kiss is often by well-known comic book artists of the time, including, Dick Giordano (who later went on to pencil and ink Batman) and Vince Colletta, who later gained fame as an inker for the legendary Jack Kirby, co-creator of Captain America, The Fantastic Four, and Thor, among others.

Some years ago, John bought the rights to these old comic books and started re-lettering the panels. The results first appeared in the comic book fan and news publication, The Buyer’s Guide. From there his success grew and these very funny panels are now featured on such products as greeting cards, magnets, and metal signs. If you want to read this comic panel every day, without charge, check out Last Kiss on GoComics.com.john lustig passed interview

John began his career as a newspaper journalist, then started writing for Donald Duck comic books. I’ve read some of them and thought they were very well done, and firmly in the grand tradition set by writer and cartoonist, Carl Barks; the wonderful former Disney animator, whose work on Donald earned him a worldwide cult following.

Check out Last Kiss cartoons. You may never look at romance the same way again!

C.E. LAWRENCE: THRILLER WRITER

C.E. Lawrence, (the pen name of Carole Buggé) writes suspense novels that examine the dark side of human behavior. She’s fascinated by the criminal mind, how it got that way and why it does such terrible things. Her series character, Lee Campbell, is a criminal profiler who helps the New York City police catch serial killers. As one would suspect by the description, these are gritty stories set in a shadowy world populated by sociopaths and the people intent on stopping them. To break the tension of his job, Campbell occasionally plays the piano. Readers looking for recipes, cute kittens, and little old ladies that solve crimes should look elsewhere. This is dark stuff. Lawrence (Carole) has done extensive research into not only aberrant psychology, but the working methods of actual F.B.I. profilers, to insure the accuracy of her books.

The Campbell character has appeared in a number of novels with the word ‘silent’ in the title: Silent Screams, Silent Victim, Silent Kills, and an e-book, Silent Stalker. (If there’s noise in the title he probably isn’t in it.) New York Times bestselling thriller author, John Lutz, called Carole’s books, “Pulse racing, compelling, first rate. Lawrence knows how to build suspense.”

ce lawrence novels thrillers

Carole Buggé has also, under her own name, written some Sherlock Holmes novels, one of which, The Star of India, was recently reissued by Titan Books. Interestingly, Buggé is a Holmes enthusiast and has a real affinity for the Victorian era.

star of india sherlock holmes by ce lawrenceI find this particularly interesting since such interests are in sharp contrast to her Lee Campbell series. Holmes, after all, is the ultimate gentleman detective, who lives to restore order to what is essentially a very genteel world. The Campbell character is really the polar opposite of Holmes. He dwells in a violent world where there is no order. The most he can hope to do is to catch one predator at a time and try to make a small difference. Often writers have many sides to them. One needs to look no further than Sir Arthur Conan Doyle, creator of the logical Sherlock Holmes. Though Holmes dismissed anything spiritual or psychic, Conan Doyle himself was a believer and wrote many supernatural and science fiction stories.

But, as they used to say in late night TV commercials, “Wait, there’s more!” Carole is also an award winning playwright, composer and, improv performer. She did improv professionally for years and is an excellent comedy actress and singer.  How many other thriller writers can make that claim?

To learn more about CE Lawrence go to www.CE Lawrence.com.

TOM SOTER IMPROV MASTER

Tom Soter is one of the best improv teachers in the business. He’s been at it for over twenty-five years. Before he began teaching he was a street performer, then he studied with the legendary improv group, Chicago City Limits. After that he turned to teaching as well as founding the longest running improv jam in New York City history, The Sunday Night Improv Jam. The Jam brings together improvisers from different groups for a wonderful evening of comedy and music.

doctor plumber rowboat tom soterTom, (along with another excellent improviser and co-founder of the Chicago City Limits group, Carol Schindler), has written a new book on how to do improv, titled A Doctor and a Plumber In a Rowboat, a Book on Improvisation. If you have any interest in performing, whether it’s serious acting or comedy, this is an excellent place to start. Or, if you’re a seasoned performer and want to get some tips from a couple of pros, check this volume out. I actually think that knowing about improv can be very helpful for writers as well. As a writer you are creating stories, scenes and characters from nothing, which is exactly what improvising is all about.

Many people confuse improv with stand-up comedy. In fact, the two are nothing alike. Stand-up comedy is about telling jokes to an audience in a monologue and improv is about creating characters in a scene with another person. The humor, if there is any (some improv scenes can be very serious and dramatic) comes from the characters, the relationships and from the situation. If a funny improv were filmed, then transcribed on paper, it wouldn’t be funny. To an audience it looks deceptively simple but like any art form takes years to master.

tom sober four booksBy the way, A Doctor and a Plumber In a Rowboat, a Book on Improvisation is not Tom’s first book. He’s recently published two books of essays, Overheard on a Bus, and Disappearing Act. These are excellent collections of essays about a variety of subjects including his childhood, his eccentric but loving parents (he may be one of the few writers around who actually had a happy childhood) and his meetings with such well-known people as Patrick McGoohan, (Secret Agent, and The Prisoner), Charlie Chaplin and Fess Parker, who played Daniel Boone in the long running TV series. Tom’s essays are funny, poignant, honest and enjoyable. His previous books include one on James Bond, (Bond and Beyond) and one about film and TV couples that solve crimes called, Investigating Couples. In that one he looks at such duos as Nick and Nora Charles, The British Avengers, and The X-files. This is a fascinating study of the dynamics of these couples and at the same time, an examination of the mystery, suspense, and spy genres. Great stuff!

WILLIAM F. NOLAN IS STILL RUNNING WITH LOGAN

WILLIAM F. NOLAN IS STILL RUNNING WITH LOGAN

At the age of 86, William F. Nolan is still writing. Nolan is the author (with George Clayton Johnson) of the novel, Logan’s Run, which was the basis for the MGM film. (The book is much better than the movie), a TV series and several sequels. But what you might not know is that Nolan has also written mystery novels (check out the Black Mask series, my favorite is The Marble Orchard), horror novels (Helltracks), and a ton of non- fiction. He wrote the first ever biography of Dashiell Hammett and the first biography of Steve McQueen, whom he knew personally. I haven’t mentioned Nolan’s many short stories, over 200 of them, and the numerous collections they appear in, or his TV and film scripts.

All of which bring me to what might be the most surprising of all his works, but one of my favorites, The Sam Space series. I think that Sam is one of the funniest characters ever written about in or out of any genre. He’s a trench coat wearing, wise cracking private investigator who lives on Mars in the future and solves wacky crimes. The novels and stories are written in first person (like Raymond Chandler’s Philip Marlowe) and are a surreal mix of mystery and science fiction, told in a laugh out loud way.


Sam’s clients might be beautiful three-headed alien women, and the villains could be monsters, clones or robots from other dimensions. In a Sam Space story anything can happen. The action is non-stop as are the laughs. Oh, did I mention that Sam’s hat, a fedora, talks to him? Or that his flying car also has negative opinions about his drinking?

If you want to read something totally escapist that’s just plain fun, get ahold of Nolan’s collection, Seven For Space, or look for one of the other collections. Sam’s novels are, Space For Hire, and, Look Out For Space.

Who knew that someone who could write such exciting, thrill packed novels and stories could also make you laugh? Nolan does it!

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