WILLIAM F. NOLAN IS STILL RUNNING WITH LOGAN

WILLIAM F. NOLAN IS STILL RUNNING WITH LOGAN

At the age of 86, William F. Nolan is still writing. Nolan is the author (with George Clayton Johnson) of the novel, Logan’s Run, which was the basis for the MGM film. (The book is much better than the movie), a TV series and several sequels. But what you might not know is that Nolan has also written mystery novels (check out the Black Mask series, my favorite is The Marble Orchard), horror novels (Helltracks), and a ton of non- fiction. He wrote the first ever biography of Dashiell Hammett and the first biography of Steve McQueen, whom he knew personally. I haven’t mentioned Nolan’s many short stories, over 200 of them, and the numerous collections they appear in, or his TV and film scripts.

All of which bring me to what might be the most surprising of all his works, but one of my favorites, The Sam Space series. I think that Sam is one of the funniest characters ever written about in or out of any genre. He’s a trench coat wearing, wise cracking private investigator who lives on Mars in the future and solves wacky crimes. The novels and stories are written in first person (like Raymond Chandler’s Philip Marlowe) and are a surreal mix of mystery and science fiction, told in a laugh out loud way.


Sam’s clients might be beautiful three-headed alien women, and the villains could be monsters, clones or robots from other dimensions. In a Sam Space story anything can happen. The action is non-stop as are the laughs. Oh, did I mention that Sam’s hat, a fedora, talks to him? Or that his flying car also has negative opinions about his drinking?

If you want to read something totally escapist that’s just plain fun, get ahold of Nolan’s collection, Seven For Space, or look for one of the other collections. Sam’s novels are, Space For Hire, and, Look Out For Space.

Who knew that someone who could write such exciting, thrill packed novels and stories could also make you laugh? Nolan does it!

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Mike Lynch Cartoonist and Blogger

Welcome to my brand-new blog. I’ll be writing about people whom I admire, especially, writers and cartoonists. Today’s entry is about a wonderful cartoonist, Mike Lynch. Mike’s cartoons have appeared in so many publications it’s impossible to list them all here and still have room to say anything else. Some of his credits include, The Readers Digest, The Wall Street Journal, Playboy, and Harvard Business Review. Mike has a beautiful loose style that is immediately recognizable. He’s also done some great autobiographical comics and has recently started doing book illustration. Here are a few of Mike’s cartoons.


In addition to Mike’s cartoons he has a great daily blog called Mikelynchcartoons, which does amazing pieces on cartoonists. He also has great advice for cartoonists who are just starting out and for seasoned pros. Mike often runs cartoons from the 1950s and 1960s. It’s fun to look at all that retro work and see how different the clothing, cars, social mores, and language are from today. Aside from cartoons, comic strips, old books, news and interviews, Mike also likes to occasionally run pictures of his New England garden and his cats. (Hey, it’s his blog he can do whatever he likes!)  Plus, he sometimes posts cool stuff about Star Trek. Now that’s what I call a great blog!

A Few Mini-Comics and One Graphic Novel

Most mini-comics don’t get a lot of attention. They’re usually self-published, and, with some exceptions, not sold in comic shops or bookstores. Mini-comics are often smaller than standard sized comics (hence the name ‘mini’) and are as a rule (but not always) printed in black and white. Many graphic novels were originally published  as mini-comics and later collected into book form. Here are some mini-comics (and a graphic novel) worth seeking out.

 

burn the bridge welcome graphic

URBAN NOMAD, by Alisa Harris, is an autobiographical mini-comic that’s written and drawn in a simple, yet eloquent style. It features episodes from the cartoonist’s life, such as looking for an apartment, going to a wedding or adjusting to living in New York (after growing up in a small town.) Don’t let the mundane sounding subjects fool you. Alisa is able to transform the minutia of daily life into satisfying and engaging vignettes.

urban nomad webcomicBURN THE BRIDGES OF ARTA, by Amelia Onorato, is a mini-comic set in the early 1900s.  It’s not only a mini-comic but a mini-series, with each issue telling an ongoing story. Her attention to period detail in clothing, furniture and architecture is excellent, as are the characters. Amelia has also done a number of other mini-comics, each one taking place in a different historical era. I particularly liked ULTIMA THULE, an ancient Roman story, but they are all well worth reading.

connection lost webcomicCONNECTION LOST, by Carey Pietsch, is an autobiographical mini-comic featuring engaging slice of life stories from the artist’s life. She also writes and draws fantasy comics, such as WITCHES, DRAGONS, MAGIC & CATS, which takes place in an imaginary, medieval world.

amazing teenage single mom webcomicTHE AMAZING “TRUE” STORY OF A TEENAGE SINGLE MOM, by Katherine Arnoldi (originally published in 1998, and in a new edition in 2015), is a graphic novel memoir about the author’s difficult life. She was abandoned by her mother as a small child, worked in a factory as a teenager, and was raped and bore her assailant’s child, whom she raised. The book recounts her harrowing struggle, survival and ultimate triumph over terrible adversity. Her story is raw, honest, hard hitting, powerful, and extremely moving. It appeals on many levels, including as a cautionary tale for teenagers.

 

MARIE SEVERIN, CARTOONIST AND ILLUSTRATOR

Marie Severin artistI was saddened to hear about the recent death of Marie Severin. She was 89. Marie was a great cartoonist and illustrator who worked for Marvel comics in the 1960s, 70s and 80s. She illustrated many well-known characters including The Sub-Mariner, The Hulk and Doctor Strange. Marie was also the co-creator of Spider Woman. But, it’s for her humorous work that she is perhaps best remembered.

Marie drew for the now classic comic book, Not Brand Echh, which was a parody of Marvel superheroes as well as those by other companies. Brand Echh was published from 1967 to 1969 and was ground-breaking in many ways. In those days (as now) humor in comic books was a rare occurrence. (Ironic, since the word comic means humor.) Here was a whole comic book dedicated to making fun of superhero comics. It’s hard to imagine, in a world before the internet and thousands of cable TV channels, how much of an impact this had. Marie’s drawings were beautiful and funny. She had the ability to capture the expressions of characters including those of her co-workers, fellow artists and writers who made appearances in Not Brand Echh, breaking the fourth wall at a time when you could almost hear the pieces shattering.

When Marie was at the height of her career there were almost no women in comics. (Ramona Fradon is another artist who comes to mind, working for Marvel’s rival, DC.) Marie’s drawings were whimsical, good-humored, poking fun at a genre she clearly enjoyed, and a business she obviously loved. Without doubt, her gender contributed to her lack of recognition. But, to anyone who saw her work, her style was beautiful and unmistakable.

Marie Severin artist

She entered the comic book business through her brother John Severin, another immensely talented artist, known for his swash-buckling adventure and war comics. He hired Marie to do coloring on a romance comic published by EC comics in 1949. From there she went on to color the whole EC line including their very gruesome horror comics. She then moved to Marvel comics where she continued as a colorist, also doing production work, and then eventually, inking, and penciling. In addition to Not Brand Echh, she drew for some of Marvel’s other short-lived humor comics, Spoof, What The—, and Arrgh! (I’d hate to ask for that title by name over the phone.) Marie was reportedly loved by those who knew her and warm to all her fans. A kind-hearted and whimsical woman who will be remembered not only because she was a pioneer in a male-dominated industry, but because her work was extraordinary. The world has lost a great artist.